Kazimir Malevich

1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments


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Kazimir Malevich suprematism oil


suprematism
Painting ID::  68750
suprematism
eight red rectangles, 1915 oil on canvas 57.5x48.5 se
eight_red_rectangles,_1915_oil_on_canvas_57.5x48.5 se
   
   
     

Kazimir Malevich suprematist composition oil


suprematist composition
Painting ID::  68751
suprematist composition
1923-25, oil on canvas 80.3x80.3 se
1923-25,_oil_on_canvas_80.3x80.3 se
   
   
     

Kazimir Malevich suprematist construction oil


suprematist construction
Painting ID::  68752
suprematist construction
1915-16, oil on canvas 53x53 se
1915-16,_oil_on_canvas_53x53 se
   
   
     

Kazimir Malevich suprematism oil


suprematism
Painting ID::  68753
suprematism
1915 oil on canvas 70x44 se
1915_oil_on_canvas_70x44 se
   
   
     

Kazimir Malevich suprematism oil


suprematism
Painting ID::  68754
suprematism
1915 oil on canvas 97x66 se
1915_oil_on_canvas_97x66 se
   
   
     

       Prev  8  9  10  11  12  13  14  15  16  17   Next
Prev Artist       Next Artist     

     Kazimir Malevich
     1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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